There are essentially two ways to do a comic strip (as I see it): with or without a continuing story. The intro of Spy Gal is when I realized that I just wasn’t capable of doing one-off jokes. I ALWAYS have a story to tell. Spy Gal was originally supposed to be a character named [...]
For Spy Gal’s intro, I wanted to push the boundaries of good taste a little. Is it right to make light of the dementia that all-too-often takes over the minds of older people? …Depends on how you do it. Turns out Spy Gal was faking, but it’s a theme I plan on revisting. Why Turnip? [...]
It still pains me to look at the art in a lot of these early strips. Where the crud are the frickin’ wheelchairs? The only answer I have is that I was lazy and was trying to draw as little as possible. I really saw the strips as more of an exercise in pacing and [...]
his is the second of the additions I made to the original 10 black and white strips I did to kick off the SuperFogeys. Originally, episode 8 went into what is now episode 10 without this minor stopover to make explicit what was once subtle. She’s Spy Gal. Spy Gal is a spy. Duh. It [...]
This is one of my favorites. I think it really brings home the idea that these guys are old. We don’t know how Mr. Crook died, but he was in a nursing home and that’s what people tend to do there so we don’t even wonder what the cause was. Maybe that’s a story I’ll [...]
I had written myself into a bit of a corner. I had Spy Gal come to Valhalla, but she didn’t really need to be there. Somehow, I had to make her stay. Enter the Orderly (later named Gene) and the Power Dampener. Visually, Spy Gal would never be the same after this strip and I [...]
This is one of my absolute favorites. I think it’s one of the funniest last panels I’ve ever come up with. So, of course, only about half the people who read it actually get it. This one gets knocked down by a lot of people for not standing too well on its own. I suppose [...]
Time between the creation of SuperFogeys 12 and 13: 2 months. This is the first strip that really sets the tone for what the SuperFogeys would be. The art is finally coming into its own, resulting in a strip that I’m really proud of. I love the subtle pacing of the camera zoom. It’s a [...]
This is one of those strips I really, really struggled with. I knew the last thing I wanted was for Dr. Rocket to successfully take advantage of Spy Gal. I mean, this just isn’t that kind of strip. The simplest solution would have been to have Jerry or Captain Spectacular bust through the wall and [...]
When did The SuperFogeys turn into Three’s Company? The answer: Strip 17.
Although I didn’t realize it at the time, this was a step in the right artistic direction for the SuperFogeys. The changing camera views were necesitated by the storyline and made for a much stronger reading experience. There’s a little easter egg in this one with the picture of the girl on the wall in [...]
I love this strip. I think this is the one where you get the best sense of the relationship between Captain Spectacular and Jerry. The first panel alone–I think if the entire strip were just that panel, I’d be happy. I don’t think anyone else laughs at that first panel (That’s not where the joke [...]
Me: Hey, I’ve got a great idea. Me: What’s that? Me: You know how we could get a lot of strips done quickly? Me: How? Me: We could just cut/paste all the best bits from previous strips and add only minor alterations! Me: Genius. Future Me: I beg to differ.
My lazy self strikes again. As for the story here, this strip was important to me because I had a very real fear at the time that it was going to be perceived that I had a hatred towards women. Dumb, right? I mean, Dr. Rocket is a character, he doesn’t speak for me, but [...]
I do believe this strip marks the first close-up I’d ever done in the Superfogeys. I began looking for ways to change the camera around and push the framing into the storytelling more. It was just one panel, but it was a start.
Double-sized strips are always fun, but I’m not sure this is the best use of it. The flashback certainly was fun to do. The idea here should be clear: Jerry is Captain Spectacular’s sidekick. This is all set-up and revelation. You should be getting the idea by now that Chapter 1 is really Jerry’s story.
This is the episode that almost never was. My original plan was to go from strip 26 to the last strip of Chapter 1–what is now strip 28. However, I realized fairly late in the game that I hadn’t really done anything to set up WHY CS and Spy Gal would get back together. I [...]
I love Spy Gal. It’s probably the adolescent schoolboy in me, but I have a lot of fun teasing her and putting her in some horrible situations. It’s always fun to see what she’ll do. Gene is the stand-in for my fifteen-year-old self. And, in case you can’t make it out, the book Spy Gal [...]
Some people thought Dr. Klein’s look in the third panel coupled with his German name mean that Dr. Klein is evil. I won’t comment on the prejudices of my readership, but I will say that I did not have that in mind when I drew it. I was just experimenting with what I could do [...]
Ugh. This is my failed experiment. Like Strip 25, I had two ideas for a strip and tried to make them into one. As drawn, panel 3 preceded panel 2, but at the last minute I got the idea to integrate them more. It didn’t work. Not helping matters is the last panel. For the [...]
The SuperFogeys are so stiff and immobile, it was fun to cut loose a little on a character like the Healer. I made it double-sized because I wanted the figures to breathe a little and see what I could do with a character who is real expressive. There’s some good lines in this one (Dr. [...]
I hate the first panel of this one. CS and Spy Gal just don’t look right and I don’t know what I was thinking. The entire point of this strip was to establish that Spy Gal is attracted to Dr. Klein. I don’t do anything more with it for the whole of Chapter 2, but [...]
Jerry was late to the party because I needed to remind the audience of his feelings for Spy Gal. I’m sure there was a better way to do that. Not a favorite of mine.
I had been looking for an excuse to do a single-panel strip for a long time and this conclusion of the Healer’s interviews with all the SuperFogeys was a good excuse for it. Originally, the dialogue on this one was vastly different. It was a back and forth between the Healer and the Captain; none [...]
I absolutely love this strip. This is a case of art elevating the script. On paper, this one didn’t seem like it would be much. If anything, I felt like I was trying to do too much. However…I think it works. Bingo Knight was a character name given to me by a reader of my [...]
Bingo Knight’s design came from the idea that he is essentially a super accountant. I mean, a super hero who settles Bingo scores? How could he be anything BUT an accountant? Once I knew that, all I had to do was put a dorky guy in a Knight costume and the idea sold itself.
I don’t know how much this strip actually adds to the plot, but it makes me laugh and sometimes that’s enough. A genuinely well-drawn Spy Gal in this strip, I think. She’s a tough one to draw just right and I always have a hard time with her hair.
I tried and tried to not make this one a double-sized. I had just done one and I didn’t want to take the time to do another one, but there just wasn’t any other way to make it work. Too many characters all interacting with each other. It has been said that this is one [...]
I love Gene. He’s such a jerk and yet, I think, you feel sorry for him. I don’t really know why. Maybe it’s just me. I broke my rule of having Spy Gal being tough enough to defend herself because I couldn’t pass up the joke. I hope no one minded.
This is an important call back to the end of Chapter 1. I had to keep Jerry’s unrequited love alive somehow and it seems particularly harsh that it’s now Spy Gal herself who is diminishing him. Jerry’s just fun to mess with.
Finally we’re back to the Fogeys. It was a conscious decision on my part to not have the Fogeys enter the stage for so many strips—six, to be exact. I wanted to try something new. Re-energize myself. I found I really missed them and the strip seems to come alive when they’re “on screen.” I [...]
Visually, this is one of my absolute favorites. You can see I’m trying something new with the background. I first used the “faded background” technique in a guest strip I did for Wes Molebash’s strip “You’ll Have That” Once I did it there, I knew I needed to try it for SF. More copy/pasting [...]
The first panel shows a depth of field we haven’t really seen in SF thus far. My goal was to do a drawing that would also work well as a group shot and, possibly, a wallpaper. Plans are in the works for just such a thing. Obviously, this is a huge change of pace for [...]
Gene’s closing line in panel one was originally something like “Give her your utmost respect.” I quickly discovered at the lettering stage that I didn’t have enough room for that. Thank goodness. I love that he just shouts “Respect!” Kinda’ thing that makes me laugh. Spy Gal threatening violence on a little girl makes me [...]
I don’t remember if this strip was done this way out of laziness or because I wanted to shake things up. Honestly, if I had to guess I’d say I was trying to shake things up. I think I was trying to create the feeling of overhearing the conversation before you really see who is [...]
Another “colorful” strip. Seriously, this is just ugly. I never pull off the silhouetted figures thing as well as someone like Mike Witmer over at Pinkerton. I try but…no. Still, Jerry getting rejected by Spy Gal…that’s always gold as far as I’m concerned.
I think my ink line is too thick in these middle Chapter 3 strips. Also, the camera is just a little too tight, a constant problem of mine overall. Knowing what I wanted to do with Dr. Klein by the end of this chapter, it was important to keep him present in the story. That’s [...]
I love the panel with the close-up of the hands. From the drawing to the colors, it just works. Too bad the rest of the strip doesn’t. A lot readers asked me what those sparks near Spy Gal’s wrist were in the last panel. Then answer: My feeble attempt at visually depicting her arthritis. …I [...]
Swifty coming in at the end was kind of cheap. I didn’t have a real gag for this one, and he usually does in a pinch. It was an important Dr. Klein moment though.
And now we see the real plan. Get the Captain on the computer to see his ex-wife. In the end, it’s kind of weak. There should have been something extra on the plan, or a bigger reaction from the Captain. It bears fruit, sure, but I think the Captain’s reaction could have been stronger and [...]
That last panel of Star Maiden is something I’m really pleased with. I wanted a really fluid figure and I often have a hard time drawing women. I surprised myself here. For some reason, readers really latched onto the phrase “Spill it, Gramps!” I have no idea why. I didn’t think it was particularly funny. [...]
The genesis for this flashback came from Daniel Woodhouse, artist on “Thog Infinitron” and sometime artist of “Beaver and Steve.” I asked Dan to do a short backup story for the second SuperFogeys book and asked him what he wanted to draw. He said “Captain Spectacular fighting in the skies above a city. Maybe a [...]
I don’t know why Mr. Crook is in there. It doesn’t really add anything to the story to have him there. Great Dr. Rocket moment though. I had a lot of fun drawing that tongue and making it as yucky as possible.
The obvious signified of a flashback is to do the art in black and white. That gray shading I add in there is an effect I wish I had time to do on all the SuperFogeys strips. Plans are for that effect to be added to the strips for the trade collections. Once that happens, [...]